Gamepad Nes Punk Releases Its First Music Video: “1up”

The guys who make up Gamepad Nes Punk level up with the release of their newest music video, “1up”.

As you probably remember, they are a band from the city of San Carlos (Maldonado) that I originally featured on MusicKO earlier this year, when skies were a hazy shade of blue, and Europe hadn’t yet cancelled their upcoming show in Montevideo. Rotten bastards. I’m one of the few morons who bought a ticket, it seems. I knew it, I should have gone and see Shakira instead… Dirty Swedes, they’ll face the unmitigated wrath of Uruguay in the next Soccer World Cup…

“1UP” has been directed by Juan Tambolini and the music was recorded at Beats & Bars Studio by Maximiliano Ahlers.

If you want to get in touch with the band, you can follow them on Facebook and Twitter, And they’ve also got a webpage of their own – check it out, it’s pretty fun. Almost as fun as listening to Marvin Gaye’s “Sexual Healing”, and asking someone to please explain the lyrics to you because you’re a foreigner, and your knowledge of English is rudimentary. By jingo, try that out sometime…

 

Josefina Martino (Uruguayan Artist)

(English translation of an article originally posted on Cooltivarte.com)

Josefina Martino is a young singer/songwriter. She has studied guitar, singing and piano, and when she was 17 she fronted her first band, Mama’s Sound. With Mama’s Sound, she played a blend of rock and blues. She went solo in 2009, and by now she has played the wide and length of the Eastern coast of the country, and also many restaurants and venues in Montevideo.

In 2010, she traveled to Spain. She worked as a pianist and solo singer at the restaurant Café Casino in Santiago de Compostela, where she played some of her first compositions.

Back in Uruguay, Josefina became the pianist and singer of the restaurant “Rara Avis” (Centro cultural Teatro Solís). And now, she’s about to issue her first album, “Tiempos Libres” [Spare Times]. The album includes ten original compositions, and a Rolling Stones’ cover. It was recorded with Nacho Mateu as arranger and artistic producer, Federico Navarro on guitar, Gerónimo De León on drums, Herman Klang on keybards, Nicolás Arnicho on percussion and Camila Ferrari on backing vocals.

This album is characterized by a combination of pop and rock, and also of styles such as country and ballads. This clearly reflects Josefina’s musical journey, and all the styles she’s gone through in order to arrive at her very own.


(To read this interview in Spanish, click here)

Q: What can you tell us about your upcoming album? When will you present it to the public, and where?

A: My first album (“Tiempos Libres”) is the fruit of a collaboration I started with Nacho Mateu in 2010. It includes 10 original compositions (which have been arranged by Nacho Mateu), and a Rolling Stones’ cover. In all likelihood, the album will be presented to the public on the 8th and 9th of November, in Lindolfo.

Q: What are your expectations?

A: I hope my work can be spread as much as possible. I’d like to reach people with my songs. As with any other first album, the idea is to begin gaining visibility, and to elicit a response.

Q: Which song should we necessarily listen to, and why?

A: Well, it isn’t easy to pick just a single song. I obviously like some of them more than others, but I feel a special affection for each and every one of them. If I had to choose, then I’d go for “Flores” [Flowers] and “Correr” [Run], these are two songs that come to define the album, and they’re both very different. The former is a pop song with a little bit of country, and the latter is a ballad that’s rooted on milonga.

Q: How old were you when you began writing songs?

A: I became interested in music when I was 15. It was then that I started to learn guitar. At that time, I wrote the kind of song you write when you’re 15, and I sang them whenever I could. A couple of years later (and after having matured) I felt like writing songs again. I was about 20 then, I had a more defined personality. And I had a clearer set of goals. I wrote the first songs that would lead me to this album back there and then. Continue reading

Simplerio (Valentina Pecora) – Uruguayan Artist

You are the one who creates the world you inhabit, and that world is going to be as peaceful as the eye through which you see it. The light that reigns in your reality comes from it, and it reaches everything as if it proceeded from a lighthouse that can cut to the very heart of the most hermetic of nights.
But in the same way that faith has got a diaphanous facet, it has also got a dark side that can thicken the world with demons, with fugitive shadows that can murk every new beginning and (eventually) envelop it in a terrible intentionality.

The frontier that separates one from the other is permeable, and what you see as radical can be deemed as insignificant by the person next t you.

And “Simplerio” moves along that mutable frontier, trying to elucidate what to believe in and what to leave alone. Issued by Perro Andaluz in 2011, “Simplerio” is the first studio album by Valentina Pecora, a young flute player that has been involved in music all her life. Her stage career started at age ten, and today she keeps a steady flow of live performances, at the same time she works as a flute teacher. Valentina wrote all the songs, designed the artwork of the album and she even produced it. Her main instrument is the transverse flute, but on “Simplerio” she also played several other flutes, guitars and many different types of percussion instruments. She was aided by  Ney Peraza, Julia Melo, Gonzalo Reyes and Ernesto Díaz on guitars, Federico Pérez on bass, Rodrigo del Castillo on Peruvian cajón, Diego Revello on violin, Leo Giovannini on percussion and Guillermo del Castillo on bass and electric sitar. Led by Valentina, this ensemble created an album with a sonority of its own, and a very distinctive intellectual depth.

At its core, “Simplerio” (which could be translated into English as “the easiest of things”) tries to cast light on a series of questions that we all can relate to.

Where should we put our faith so that we can use it to build a new world, and not to destroy the one that’s already there? Where do we place our trust? How can we bring into being an “illusion that illuminates”?  How do we close the distance that separates dialogues from reactions? How is the ritual of affection configured if (as it’s described on the lyrics) the way has got no handrails, and everything hangs precariously from a crane of crystal?

“Simplerio” poses all these questions, and it does so permanently, like a flood of thoughts that never relents. But even when the album has got such a thematic intensity, the overall mood is one of gentle caresses, not of heavy ruminations. Its songs are as sweet as the title of “Frutillas de Algodón” [Cotton Strawberries] suggests, and there’s no offhandedness on the lyrics, no matter how deep and thoughtful they are. Continue reading

Radio El Aguantadero: The Shrine For Underground Music In Uruguay

A radio station that has broadcast for more than two years now, El Aguantadero is unarguably one of the finest places for understanding what the underground music scene in Uruguay is like.

As “El Zapa” (the radio’s host) said on a recent interview, the project was created by him and his good friend “El Pato” because they “were (and still are) eager consumers of underground culture. We believed it was necessary to provide a radial space where all the music we saw at pubs could be brought together. We thought someone had to create a collective medium for spreading and supporting such artistic manifestations.”

You can visit El Aguantadero’s website here. There’s music playing 24/7, and a chat where you’ll be able to interact both with punters and underground musicians who are sharing their work with everybody else. And an index of bands is likewise available here.

You can also catch up with the guys and gals who make up El Aguantadero on Facebook. This is the page.

“Perdiste” By Nemesis (Video)

Nemesis is a Uruguayan band that was formed in 2004 by friends Martín Hosman (vocals) and Gabriel Fuchs (guitar). They had a revolving rhythm section for years, came close to recording an album in 2007 and then split up for the first time.
One year later, Nemesis regrouped with Jorge Lira on bass and Sebastián G. Quinteros on drums. This lineup recorded the band’s first album, “Subnormal” in 2010. The track “Perdiste” [You’ve Lost] was the first to be issued as a single. And you can watch the promotional video for the song below:

The start-and-stop structure of the verses might sound a bit formulaic to some, but there’s no denying the quality of the composition on the whole. The rhythm section knows how to sound imperative and make you prick your ears when needed, and the riffs in particular distil rock & roll. All in all, it’s a winning sound. If anything, it proves that in music you don’t need to be the first to do something. The one thing that truly matters is doing it well. And “Perdiste” is an essentially exciting slab at rock, combining the different influences of each band member (classic rock, hard rock, funk) into a song that’s easy to earmark.

I hope to get a copy of “Subnormal” soon and review it. In Uruguay, the album’s been released by Montevideo Music Group. Those of you who live elsewhere can listen to “Subnormal” online in its entirety here. And this is Nemesis’ official site, too.

The band currently comprises Martín Hosman on vocals, Jorge Lira on bass, Sebastián G. Quinteros on drums and Camilo Saralegui on guitar (Gabriel Fuchs left the band once recordings for “Subnormal” wrapped).

Nemesis touring "Subnormal" in 2011

Van Velthoven (Uruguayan Artist)

Van Velthoven

Fully aware of where he’s come from and where he intends to go, Van Velthoven is a Uruguayan artist with a sharply-defined vision.

From his Facebook profile:

“On his project, Van Velthoven nods to some of the greatest rock/pop artists in history. He pays homage to their aesthetics without losing his musical and artistic personality. The lyrics deal with revolution, the inner self, social issues, nature, power, love… The artist aims to reflect his inner self, and he invites us to walk besides him along the pathway of art in its fullest expression. The idea is that every person who does it will be transported to a different world, a parallel dimension called “Van Velthoven”.

Below you’ll find a video for the song “El Juego de la Muerte” [The Game of Death] in which he is joined by legendary Uruguayan rapper Jazzy Mel.

Van Velthoven’s website is found at www.vanvelthoven.com.uy. This is his YouTube channel. And you can both listen to his music and download it for free on his Bandcamp profile.

 

UPDATE:

A new video of Van Velthoven playing live with his band and Uruguayan journalist Martín Sarthou. The song is named “¿A Dónde Irás?” [Where Will You Go?]:

A new version of “El Juego de la Muerte” (also featuring Jazzy Mel):

And his album “Rey” [King] has recently been issued. I hope to review it soon. In the meantime, take a look at the artwork:

Van Velthoven cover

Van Velthoven back

For more info, head to Van Velthoven’s brand-new Facebook fanpage.

“Parámetro Paraíso” & “Entre Tu Diálogo y Mi Reacción” By Valentina Pecora (Videos)

Valentina Pecora

Born in 1984, Valentina Pecora is a Uruguayan flute player that made her stage debut at age 10. And ever since 2008, she has been playing frequently both in Uruguay and in Argentina.

Her first solo album was released last year on Uruguayan label Perro Andaluz. Entitled “Simplerio”, it features 11 songs that were written by Valentina. She also recorded and mixed it. I will review the album soon on MusicKO. In the meantime, there’s live performances of two of the better songs from “Simplerio”: “Parámetro Paraíso” [Parameter Paradise] and “Entre Tu Diálogo y Mi Reacción” [Between Your Dialogue and My Reaction]. The band is Valentina on traverse flute and vocals, Julia Melo on guitar, Guillermo del Castillo on bass & electric sitar and Guillermo Loriente on drums & percussion.

For more information, visit Valentina’s MySpace and Facebook profiles.

Parámetro Paraíso

Entre Tu Diálogo y Mi Reacción

“Por No Saber Decir” By Alfonsina Álvarez (Video)

Alfonsina Álvarez

A wonderful live performance by Alfonsina Álvarez, a singer-songwriter that hails from the City of Paysandú.
The song is called “Por No Saber Decir” [Because I Don’t Know How To Say], and the backing band includes Mateo Moreno (bass), Juan Pablo Chapital (guitar) and Javier Cardellino (drums).

You can listen to more music by Alfonsina on her MySpace profile. And her Facebook fanpage is also a great place for getting better-acquainted with her work.

“Empujen”, The First Music Video By El Gallinero

El Gallinero is a Uruguayan funk band that's just released its first album after 10 years of touring and gigging

“Empujen” [Push] is the first music video by El Gallinero [The Henhouse], a Uruguayan funk band that has actually been around for ten years. It currently comprises Nacho Cejas, Andrés Arnicho, Gerardo Alonso, Pedro Alemany, Leo Méndez, Juan Olivera, Gerónimo De León and Claudio Martínez.

The clip has been shot at the Centro Cultural Florencio Sánchez (named after one of Uruguay’s most celebrated playwrights), and it features Rubén Rada, one of the seminal figures in the development of Uruguayan music in the 20th Century. Along with Eduardo Mateo, Rada was at the forefront of the “Candombe Beat” movement – a movement that married candombe and murga with rock & roll music.

It’s well-known that one day Paul McCartney wanted to know more about South American music, and he asked his assistants to gather as many albums and singles as they could. And out of all the singers and performers they presented him with, Rada was the one that marveled the former Beatle more.

And as if that wasn’t impressive enough, “Empujen” also features a cameo by… Max Headroom! Gotta love it…

Visit El Gallinero’s MySpace profile to know more about the band. In Uruguay, their debut album has been published by Sondor.

 

“POU” – The New Video By Closet

The Full Lineup Of Closet

Originally formed in 2005, Closet is a Uruguayan band whose repertoire pays an equal debt to rock instrumentation and electronic beats. The band has already released two EPs – one that goes by the great name of “Nociones Utilitarias Del Amor” [Utilitarian Love Concepts], and another that goes by the even better name of “Dildo”. They also released a full-length album named “Lengua” [Tongue] in 2010. One can but wonder (and rejoice at the thought of) what their next work will be named… answers to the usual address on a postcard with a picture of Benny Santini, please.

This is the band’s latest video. The song is “POU”, from the “Lengua” album.  The clip has been produced by Metropolis Films, and it has been directed by Oliver Garland.

The current lineup of Closet comprises Camila Sapin (vocals), Germán Pérez (vocals, guitars and programming), Charly Servetto (guitars and programming), Flavio Galmarini (drums and programming) and Patricia Iccardi (bass).

This is their official website. You can download “Lengua” there. And at zero cost, it must be added. This means the IRS won’t be getting anything. Ha. That will serve them right. Let’s avenge what they did to Willie Nelson, and download it in droves. Me? I’ve already downloaded it five times.