Tag Archives: American

Linda Ronstadt – General Introduction

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A Young Linda Ronstadt

A Young Linda Ronstadt

The number of female figures in music today makes it a bit difficult for members of younger generations to wholly grasp the impact Linda Ronstadt had through several decades before other figures such as Britney Spears, Jessica Simpson and who knows who else came along. I am not going to discuss the merits of such performers – all I am going to say is that many of them are not artists but mere entertainers. Linda, on the other hand was, is and will always be not just an artist but a person who promotes art in its purest form, and that has opened a door into music that shows the way to female artists in an industry where roles are sadly (and constantly) painted in black and white. Continue reading →

The Very Best Of Willie Nelson (Sony 1999) – Compilation Album

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The Front Cover Of The 2 CD Set

The Front Cover Of The 2 CD Set

The first song by Willie Nelson I ever listened to was “Gulf Coast Highway”, his duet with Emmylou Harris. The song was part of Emmylou’s 1992 compilation of duets, an album released to somehow piggyback on the success of the “Trio” collaboration with Linda Ronstadt and Dolly Parton. As you probably know by now, “Duets” was my first country album ever.

I regarded that particular duet as the emotional high point of the album, and that is a bold statement considering that “Love Hurts”, “That Lovin’ You’re Feelin’” and “Wild Montana Skies” are part of the same compilation. I immediately decided to learn more about Willie, and see which compilation could I find and get my hands on. Continue reading →

Tigerlily (Natalie Merchant) – Album Review

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The CD Cover. Many Photos From The Same Shot Decorate The Booklet. This Is Easily The Less Appealing One.

The CD Cover. Many Photos From The Same Shot Decorate The Booklet. This Is Easily The Less Appealing One.

In many ways, Natalie’s debut can be named “predictable”. That is, it has the share of compositions that the debut album of anybody who has been in a band for years will have – IE, songs which are not that detached from the original vision of the band. Yet, Natalie was the dominant voice within the Maniacs. Maybe it would be more accurate to say that the Maniacs’ albums without Natalie are the ones were the influence is felt the most, as those albums (notwithstanding how excellent they are) seem overtly attached to Ms. Merchant’s approach and sensibility. Continue reading →

Natalie Merchant – General Introduction

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Natalie Merchant

Along with Emmylou Harris, Natalie Merchant is the female figure in music that I am the fondest of. Born in 1963, she began her career as a founding member of the American band 10,000 Maniacs in the 80s. I have covered them extensively already, and the only thing I have to say is that they were an incredibly talented group to which Natalie made a fascinating contribution, and when she parted ways with them in the early 90s many a heart went down. But as it turned out, both The Maniacs and Natalie would retain their edge and keep on doing what they did best: writing and performing music that goes from heart to heart. Continue reading →

Our Time In Eden (10,000 Maniacs) – Album Review

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Their Final Studio Album With Natalie Merchant

Their Final Studio Album With Natalie Merchant

Do you remember what Elton John sang at the end of the “Captain Fantastic” album, in the song named “Curtains” – “Just like us/you must have had/ a once upon a time”. If you don’t, there is not an album that will bring that to mind better (and worse, I am afraid) than “Our Time In Eden”. The Maniacs’ final studio album with Natalie is one of the most poignant farewells you can listen to.

Broken feelings litter the album. Lost friendships abound: “Noah’s Dove” is a final portrayal of lost innocence, and the same applies to “How You’ve Grown” and “Stockton Gala Days”, albeit from different vantage points. The former laments the way we often take innocence for granted in the younger ones, and the latter deals with the shame of hiding innocence lost to someone the singer still deems as pure. Continue reading →

A Decade Of Hits (The Allman Brothers Band) – Compilation Album

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This Is The Original CD Cover. A Re-release Saw The Light In The Year 2000, And It Features A More Informative Booklet. The White Lettering Is Different.

This Is The Original CD Cover. A Re-release Saw The Light In The Year 2000, And It Features A More Informative Booklet. The White Lettering Is Different.

As you know by now, I am very attached to country music. It is probably my favorite American genre. It was only natural that I would start exploring Southern rock in due time, and that is exactly what has happened. Over the last week I purchased both a ZZ Top “best of” album and an Allman Brothers’ compilation, as well as locating a Lynyrd Skynyrd anthology that I will get my hands on soon.

While I enjoyed the ZZ Top album (and far more than I would have expected, to be frank), the one I came back to the most often this week was the Allman Brothers’ compilation. As its title implies, it collects their salient recordings during a whole decade, (1969 – 1979). Four studio albums and one live recording are covered here. Continue reading →

All Time Greatest Hits (Eddie Rabbitt) – Compilation Album

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This CD Was First Issued In 1991

This CD Was First Issued In 1991

Like most people outside the US, the name Eddie Rabbitt was mostly familiar to me owing to a song which was played left, right and center since it was first released in the 80’s: “Drivin’ My Life Away”. While I always knew the song note by note, and I admit it is infectious like nothing else, I was of the opinion that its excessive fame was a little unwarranted. However, that song created a strong desire in me to know more about the man who composed it, and I hesitated not a single minute to pick up this compilation when I finally found it after actively searching for it and having learned more about the man himself. Continue reading →

In My Tribe (10000 Maniacs) – Album Review

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The Front Cover

The Front Cover

Released in 1987, “In My Tribe” was the first album by the Maniacs to garner both praise and good sales at the same time. It was no coincidence, as they showed a maturity and a deft touch when it came to dealing with sensitive issues such as the environment, illiteracy, violence towards women and children and also the role some institutions like marriage play out in life.

In a certain sense it could be said that some of the songs are preachy, but this is handled in a conciliatory way, without pointing fingers at anybody. Rather than saying “it is their fault” or “you are to blame” the songs seem to say that what happens in society and in life as a whole is attributed to everybody, and the answer must be a collective one. Maybe (and probably) inspired by a single individual, but the message is that only when we move in unison we can make some progress. Continue reading →

Hope Chest (10000 Maniacs) – Album Review

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The Front Cover Of The CD

The Front Cover Of The CD

Released in 1990, this CD gathers together the first two EPs that this delicious American band released. The first one was entitled “Human Conflict Number 5” (1982) whereas the second went by the name of “Secrets Of The I Ching” (1983).

“Human Conflict Number 5” features a studio drummer named Jim Foti, whilst “Secrets Of The I Ching” marks Jerry’s debut as the Maniacs drummer, and his contribution does not go unnoticed. Both EPs also featured founding member John Lombardo, who set to music two poems from the doomed World War I poet Wilfred Owen. He even takes the lead in one of these (“Anthem For Doomed Youth”, one of Owen’s most anthologized pieces, and one of the album’s highlights as well). Continue reading →

21 Number Ones (Kenny Rogers) – Compilation Album

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The Artwork & The Packaging Are Excellent

The Artwork & The Packaging Are Excellent

Kenny Rogers is one of these country artists that have achieved immense success in the pop and adult charts. Although I am very fond of country sounds, I always postponed buying a compilation of his because the ones I had listened to had a preponderance of ballads, and just a slice of country numbers. Last year, however, I saw this generous compilation at one of the annual sales that CD Warehouse (one of the major record stores in Uruguay) holds at a price that made taking a chance a negligible matter.

“Generous” is the perfect word for this. Released in early 2006, it features all of Mr. Rogers’ chart topping cuts as well as a bonus track, and the CD clocks at almost 80:00. The booklet is also very informative, with liner notes penned by the man himself. Continue reading →