GarageBand Comes To The iPhone And iPod Touch

iPhone and iPod Touch Users Can Now Run GarageBand On Their iDevices

After having been introduced on the iPad earlier this year, Apple’s GarageBand has become available on the screens of iPhone and iPod Touch users everywhere. It costs $4.99 (iTunes link), and much like its iPad counterpart it lets you plug in your electric guitar and mic to record yourself playing. Plus, the app comes with touch instruments like keyboards, drums and basses. And tons of sound effects are also included, along with a sampler and more than 250 professional loops you can use as backing for any song of yours.

These are the full features of GarageBand, as listed by Apple itself.

• Create custom chords for Smart Instruments
• Support for 3/4 and 6/8 time signatures
• Reset song key without transposing original recordings
• Transpose songs in semitones or full octaves
• Additional quantization options for recordings including, straight, triplet and swing
• New audio export quality settings for AAC and AIFF (Uncompressed)
• Arpeggiator available in Smart Keyboard
• Adjustable velocity settings for Touch Instruments
• Numerous enhancements, including automatic fade out and improved audio import options

Turn Your iPad Into A Fully-featured DJ System

dj turntable djay

If you are the kind who entertains DJ notions and you have been a good boy this year, then this is what you should ask Santa for.

Presented by Algoriddim, Djay is an application that will turn your iPad into a hefty DJ setup. Once installed and launched, the iPad will take after two turn tables and a mixer which has tons of options. For example, you can instruct the app to detect beats and tempos automatically, and also get down to some visual mixing using audio waveforms. And when you have had enough of mixing but the party is still going on strong, then you can just activate the Automix mode and let Djay do the honors while you hit the floor.

As it was only to be expected, any song that you have in your music library can be mixed using Djay.

Oh, and just in case Santa fails to deliver the goods, Djay retails at $ 20.

The Stanford Mobile Phone Orchestra

How does technology and traditionalism have been getting on lately? Leaving aside Robert Murdoch’s ongoing battle with search engines so that print media will retain its inherent force and exclusivity, I think that the year was a good one in terms of bringing together ends that might always have been deemed as too opposite. Of course, it was the year of social media (“unfriend” was voted the word of the year by the Oxford University Press), and it was a year in which we saw Twitter crowned as the supplest way to spread news – the plane landing in the River Hudson, the elections in Iran…

And where does music stand in all this? Obviously, social media has modified the way people promote and market music. I just don’t think that CDs and physical music would become a thing of the past anytime soon (look here), but there is a clearly new portion of music consumers that grows exponentially, and that is already colossal (IE, young people taken as a whole). And now, a new development has taken place when it comes to the actual performing of music. Continue reading

Who Sampled – Resources For Musicians

WhoSampled

Name: WhoSampled

URL: http://www.whosampled.com

Music that is based on other music has always been a hot issue. There is a thin, almost invisible line separating inspiration from imitation. I think it all originated in the literary world – there are titles like “Wide Sargasso Sea” in which the novelist (Jean Rhys) based her whole book on a character or incident from another author’s book – in this case, Charlotte Bronte’s “Jane Eyre”. On “Wide Sargasso Sea” Rhys did an amazing job, and explained what went into the creation of the “Madwoman in the attic” from her own vantage point. Continue reading