Black Sea (XTC) – Album Review (Part 2)

This is Part 2 of the review. Don’t forget to read Part 1 for the introduction!

The original album had 11 songs, and the CD rerelease 14. If we had to summarize what XTC achieved here in one word, that would be “consistency”. The album is a true work, and in certain places it feels like a continuous track (some songs actually run into each other).

It is not an easy task picking favorites this time – as I said, there is such a sense of unity that the album is one of the most rewarding listening experiences within XTC’s catalog. What I can do is pick out personal favorites: these would be any of the singles plus the splenetic “Paper & Iron” and “Burning With Optimism’s Flames”. “Paper & Iron” has my favorite performance from Terry on any of their albums – he carries the whole song, takes it wherever he wants and finishes it with a detonation the kind Keith Moon would be proud of. For its part, “Burning With Optimism’s Flames” has a mesmerizing chorus that makes the title of the composition become more than a mere asseveration.  Rather, it turns into a true validation for pushing forwards no matter what. Continue reading

Black Sea (XTC) – Album Review (Part 1)

On Of The Original Names For The Album Was Gong To Be "Work Under Pressure". The Photo Session That Produced The Album 's Cover Was Based On That.

One Of The Original Names For The Album Was Going To Be "Work Under Pressure". The Photo Session That Produced The Cover Was Inspired By That, Hence The Diving Suits. The Title Was To Be Scrapped, But Not The Shot.

“Black Sea” was the fourth album released by XTC. The record was issued in the year 1980, and it garnered unanimous praise. It is now considered as their first truly indispensable album. Critical reaction was so fabulous that Andy & Colin were compared for the very first time to Lennon & McCartney. Such a comparison was sure to elicit a reaction, for the mere fact that even thinking about placing someone on par with the two timeless composers is sacrilegious to many. In hindsight, it showcases what a lukewarm response the Swindon boys were eliciting from critics even in those days. And – maybe most importantly – they were starting to reach a broader public. The album had another Top 20 hit, and this time it was a song penned by Andy. Success, at last. Or was it? Read on…

The main denominator of the songs contained here is the toughness and density of the sound. Andy insisted on recording only arrangements that could be replicated live. That meant that if they included a keyboard, that would be at the expense of a guitar and so on. This worked on their advantage in the long run, as the songs were free from unnecessary embellishments (“The Big Express”, anybody?) and could be reproduced onstage naturally. Continue reading