(If you haven’t done so already, read Part 1 of this review where “Tommy” is introduced, and the context in which it was created is detailed)

The album had 20 tracks. It was the first double album the band had released. The operatic connection was made evident through a formal overture and an “underture” which was mostly the extension of a theme called “Sparks”, also featured on the album and derived from a chord pattern found on “Rael” from the previous record.

Highlights included “Pinball Wizard” (the first single from the album) and “See Me, Feel Me”, a prayer sent to the most private space within the soul of every listener, a pronunciation of faith and endearment like no other within their repertoire. Other songs which merit mentioning are “The Acid Queen” and “I’m Free”, both very fine rockers. (“I’m Free” was to be released as a single too, and some time later an orchestrated version would be a minor hit.) Continue reading →