Tag Archives: Rock

Tom Petty – General Introduction

Posted on by
Tom Petty & The Heartbreakers

Tom Petty & The Heartbreakers

A rocker at heart. That is the way Tom Petty would go down in history. Sure, there were some diversions along a career that spans three decades and that still keeps going on strong. The first one came in 1985 with the concept album “Southern Accents”, and his first stint as a Traveling Wilbury showcased a very different side of him (the second album by the Wilburies found Petty back on more familiar territory). But these (and his solo albums like Wildflowers) can be deemed as mini-vacations after which he came energized like never before.

Born in Gainesville (Florida) in 1950, Petty’s interest in rock & roll music was instilled by two of the main icons of a whole generation, The Beatles and Elvis Presley (whom he was to met in person). After playing with a band called Mudcrutch that was to issue only a single back in the ‘70s (the band would reunite in 2008 to do a proper record), Petty launched a solo career with the assistance of two of his Mudcrutch bandmates, Mike Campbell (lead guitar) and Benmont Tench (keyboards). They were to be joined immediately by Ron Blair (bass) and Stan Lynch (drums), and that was the birth of Petty’s legendary backing unit, The Heartbreakers. Both Campbell and Tench are with Petty to this day, and Campbell in particular has had a big input on Mr. Integrity’s music both in terms of compositions (they often share writing credits) and production-wise.

Mr. Integrity. That is one of Tom Petty’s most recurrent nicknames, specially among punters. He has been known to stand against music industry abuses, and to side with fans time after time regarding decisions that would affect them like the marking up of albums. Tom’s first direct attack came with the title of his third record, “Damn The Torpedoes” (1979). It was Tom Petty & The Heartbreakers’ fist platinum album after the previous one (“You’re Gonna Get It”, 1978) had cracked the Top 40. It included the radio hits “Refugee”, “Don’t Do Me Like That” and “Here Comes My Girl”.
Continue reading →

The Masterplan (Oasis) – Album Review

Posted on by
The Masterplan (1998) Collected B-sides That Rivalled And Even Surpassed Album Tracks And (In Some Cases Like "Acquiesce") Even Their Respective A-sides.

The Masterplan (1998) Collected B-sides That Rivalled And Often Surpassed Album Tracks And (In Some Cases Like "Acquiesce") Even Their Respective A-sides.

Funny enough, from having given up on Oasis a long time ago to the point I gave away most of their albums I have reached a point in which I reviewed all of their discs in two weeks. That was not deliberate or anything. Rather, it was a sort of rediscovery and a way of burying the hatchet with a band that was always there when I needed it. Maybe this reapproach was motivated by having listened to a lot of bands from Manchester recently (with The Stone Roses and Joy Division topping the list). I am not certain, but I am glad it happened. And now, I am reviewing the final album by them I haven’t reviewed up to this point: “The Masterplan”.

Chronologically, the album followed “Be Here Now”, and it was released when the band had announced they were to take a three-year break. A compilation of b-sides, it was only going to be issued in countries where you couldn’t buy the singles, but in the end it was released worldwide.

Now, the key to understanding why the album is so masterful is keeping in mind that Noel had stockpiled a large body of work, and that some of those songs were even better than albums tracks which did make the final cuts. It is easy to criticize the inclusion of about half the songs on “(What’s The Story) Morning Glory?” knowing that cuts like “Rocking Chair” and “Half The World Away” were available then, not to mention “Round Are Way” and “The Masterplan”. And I haven’t even mentioned “Acquiesce” yet, the defining song about the sibling rivalry between the two brothers in which they alternate vocals until singing together “because we need each other/we believe in one another/and I know we are going to uncover/what’s sleeping in our soul”. Continue reading →

Standing On The Shoulder Of Giants (Oasis) – Album Review (Part 2)

Posted on by

The first part of this review can be read here.

Even when the album has some compositions that many years down the line have stood the test of time respectably, there are others that seem absolutely gratuitous. These include “I Can See A Liar”, a song that as one of the weakest lyrics of Noel’s career by his own reckoning, although it is quite a punchy tune and the lyrics (while unfinished) paint an interesting portrait of an Elvis-like figure “sitting by the fire/trouble in his heart, laughing as he goes into overdose… I wonder what he thinks of me”. But that is strictly a personal appreciation, and the song is not only lacking a proper development but the lyrics that are featured denote a lack of effort (“I can see a liar/sitting by the fire”). That problem is aggravated on the song “Put Yer Money Where You Mouth Is”, about as repetitious as “Roll With It” but without a nice sentiment to wash you over.

Liam’s first composition in particular showcases what little imagination the man has, with one of the most egregious “Hey Jude” appropriations I have ever witnessed. Not even brother Noel could pull it off at the end of “All Around The World”. What made him think he could do any better? Well, if we think of the reason Liam learnt to play guitar (“If Noel can I can”) then we can determine that he is not the most sensible person around. From day one, it was all a game in which he strove for recognition. It was all a matter of “If Noel does it, I can do better”. Say what you wish about Noel, he was a very talented composer, a very methodical crafter of songs. Start placing his compositions next to Liam’s and treating them as equal and acrimony is bound to start accumulating. Continue reading →

Standing On The Shoulder Of Giants (Oasis) – Album Review (Part 1)

Posted on by
I Hated "Standing On The Shoulder Of Giants" Upon Its Release, But Now It Is Easy To See It Had Its Share Of Fair Songs

I Hated "Standing On The Shoulder Of Giants" Upon Its Release, But Now It Is Easy To See It Had Its Fair Share Of Decent Songs

The first album of original compositions that Oasis released after a three-year break, “Standing On The Shoulder Of Giants” was the first record without Guigsy and Bonehead. Only the two Gallagher brothers and drummer Alan White remained onboard, and they were to be soon supplemented by Andy Bell and Gem Archer, two dudes with fantastic hairdos and about as much attitude as a cucumber. You won’t get to hear them on this record, though, as Noel played all guitar and bass parts himself.

The disc is notable for a markedly somber tone, inspired not only by the loss of two original members but also by events such as Noel leaving drugs behind after all those years of use and abuse. “Gas Panic!” in particular was directly inspired by the panic attacks that made Noel resolve to steer clear of substances for good. The song (much like the disc) is a bit of a perplexing listen at first. There is such a strong psychedelic thread running through it all that I must admit I detested it when I first bought it, and after living with it for a month upon its release I had never listened to “SOTSOG” again until now that I felt like reviewing it.

It is quite funny, but now I don’t feel the album is that much of a letdown. Of course, knowing what came afterwards tips the scale in its favor a little – yet, that little is enough to appreciate its good bits. Continue reading →

Mighty Like A Rose (Elvis Costello) – Album Review

Posted on by
"Mighty Like A Rose" Was Elvis Costello's First Album Of The '90s. It Had A New Collaboration With Paul McCartney Named "So Like Candy".

"Mighty Like A Rose" Was Elvis Costello's First Album Of The '90s. It Had A New Collaboration With Paul McCartney Named "So Like Candy".

I will never forget how much I resisted buying this album. The guys at the CD store had it for a long, long time. I was dead against getting my hands on another disc that had “Hurry Down Doomsday”. One copy of that song as part of the “Extreme Honey” compilation sufficed. Plus, the other songs I knew from “Mighty Like A Rose” clearly signaled that the CD stood as the highest peak within Elvis career as far as inventiveness that spilled into weirdness went.

Eventually, that was what made me shell out for the album. I just admire the man, and I had to see what did exactly happen for him to end up cutting a disc with a string quartet just two years later.

Funny enough, I did not get that answer. What I got was a CD that was (and still is) impenetrable. The level of musical chaos and the jumble of styles make for one of the most hostile records I have ever come across.

The production is certainly a major issue. Those who complain about the way Mitchell Froom produced Richard Thompson should give “Mighty Like A Rose” a spin in order to realize that they shouldn’t complain to begin with. But Elvis also had his own way behind the mixing board, so that he was as much of an instigator as anybody.

A sonic avalanche heralds the first cut, “The Other Side Of Summer”. Simply put, it sounds like The Beach Boys on every kind of substance you could ever imagine. Still, it is the one composition where an approach that is heavy-handed elsewhere works out. Whether that is because it is the first song out of the fourteen on offer and that it catches you while you are still fresh could be debated, though – when I listen to the song on “Extreme Honey” I am not that keen on it. Continue reading →

Be Here Now (Oasis) – Album Review

Posted on by
Oasis' Third Album("Be Here Now") Failed To Live Up To Expectations, Despite Having Some Isolated Great Moments. Love The Rolls Royce In The Pool, By The Way. And So Did Keith Moon, Of Course.

Oasis' Third Album ("Be Here Now") Failed To Live Up To Expectations, Despite Having Some Isolated Great Moments. Love The Rolls Royce In The Pool, By The Way. And So Did Keith Moon, Of Course.

The traditionally hard album for every band was to be even harder for Oasis, who had to live up to the dazzling standards they previously set on “Definitely Maybe” and “(What’s The Story) Morning Glory?”. This time around, though, the band was too far gone into drugs and fast living, and they were to try everybody’s patience. The lack of temperance was what broke the album’s back, as a vast majority of compositions clock at over 7 or 8 minutes.

That running time is merited only once, on the opening “D’You Know What I mean?”. It was the album’s first single and Oasis’ third chart topper. Noel seriously let rip in the solo, and the accompanying video was phenomenal.

The other number one yielded by “Be Here Now” was “All Around The World”. That was a song which had been around for a long, long time. The date of composition can be set after the “Definitely Maybe” album, probably around the days of “Whatever” (one of their finest non-albums singles, savagely left off “The Masterplan”). Noel refused to record it until they could afford to do it as elegantly as he had envisioned. Too bad he had to stretch it over 11 minutes. Not even the three key changes can make it more appealing in the end, and the “Hey Jude” comparison is too obvious, too gratuitous and too true to be avoided. Continue reading →

Upsy Daisy Assortment (XTC) – Compilation Album

Posted on by
"Upsy Daisy Assortment" Compiles Most Of XTC's True Classics WIth A Few Rarities Thrown In For Good Measure.

"Upsy Daisy Assortment" Compiles Most Of XTC's True Classics WIth A Few Rarities Thrown In For Good Measure.

“Upsy Daisy Assortment” was released by Geffen (XTC’s American record company) in 1999, as the legal battle with Virgin was finally being dispelled and the band was to regain its freedom. It is a single CD that has some truly idiosyncratic cuts in addition to their indisputable classics.

Now, Andy says that the disc feels as if someone at Geffen had thrown darts at a chart with all their songs and assembled the compilation like that. Such a theory would explain why singles like “All You Pretty Girls” and “Wake Up” have been omitted, why “Funk Pop A Roll” found its way here instead of “Great Fire” and also why we have tracks such as “Seagulls Screaming Kiss Her, Kiss Her” at the expense of others.

I have to be very honest with you. The disc does not feel as if someone had randomly thrown darts at a chart, it feels as if Andy had overseen the whole thing from start to finish.

Exhibit 1: The compilation omits both “White Music” and “Go 2”, albums that he actively dislikes (and even despises). The first track is “Life Begins At The Hop”.

Exhibit 2: “Sgt. Rock”, a track Andy reviles despite being one of the highest-charting singles of his is absent. Continue reading →

All The Best Cowboys Have Chinese Eyes (Pete Townshend) – Album Review (Part 2)

Posted on by

This is the second part of the review. Learn about the context the album is circumscribed in and the first four tracks here.

“Exquisitely Bored” is the fifth song on the album. It is one of the two direct analyses on fame and stardom, the other being (obviously enough) “Stardom In Acton”. “Exquisitely Bored” is Pete’s lyrical take on a theme assayed by The Eagles not long before: life in the “Hotel California”. The message is basically the same, although in “Hotel California” it is implied that no-one can get out, whereas Pete’s song seems to be saying that the ennui is a true choice, that it is comforting, and that “there are good times walking in Laguna…” before finishing the excellent chorus with the line “but it rains in my heart”. One is tempted to ask the question first posed by Creedence Clearwater Revival there and then, namely “Who will stop the rain?”.

The fact is that things don’t look too sunny either when we talk about the London scene. As described by the song “Stardom In Acton”, local success seems every bit as vitiated, and also more transfiguring in the long run. The one song that describes all the vices you can imagine is this one, not “Exquisitely Bored” – “want my stash, want my cash, want omnipotence”, “the long cigarette full of hash”, “don’t admire anonymity”… It seems that making it in your hometown is the most dizzying event that could ever occur. It probably has to do with the fact you can then look down your nose at those who put down your aspirations all your life, and snort “I made it!” in their very faces. Continue reading →

All The Best Cowboys Have Chinese Eyes (Pete Townshend) – Album Review (Part 1)

Posted on by
"All The Best Cowboys Have Chinese Eyes" Is My Favorite Solo Record By Pete Townshend. The Album Was Released In 1982, After The Acclaimed "Empty Glass" Had Ignited Townshend's Career.

"All The Best Cowboys Have Chinese Eyes" Is My Favorite Solo Record By Pete Townshend. The Album Was Released In 1982, After The Acclaimed "Empty Glass" Had Ignited Townshend's Career.

“All The Best Cowboys Have Chinese Eyes” was issued in the aftermath of Pete’s near-fatal depression of 1980-81. Keith Moon was dead, Kit Lambert was gone, and Pete was not reaching out to the public the way he once did. The faith on his band was broken, he had already launched a promising solo career. His marriage was in shambles (he was living away from his wife and children), and he was a million pounds in debt.

You must understand that Pete was never a strong person. He always had enormous difficulty coming to grips with who he was, and the way others saw him was instrumental to Townshend. When others perceived there was a problem, when they could see behind his blue eyes, that was the time he also noticed that he had a problem. And like most people who face alcoholic issues, he used to go to extremes all the time. He once remarked he even used to get suicidal about people he didn’t know at all if rebuffed.

During this time, virtually everybody scolded him. Roger Daltrey almost had it with Pete one night on stage, and even his best friend Richard Barnes (he who had suggested the name of the band all those years ago) cornered Townshend and called him “pathetic”. Pete’s response? “It’s alright. Why should Keith have all the glory?”

Finally, during a night out at the Club For Heroes he took heroin, overdosed and had to be rushed to ER. It transpired his heart had stopped beating for a while. A mere second later would have been fatal.

The turning point came shortly afterwards when wife Karen asked him “Why don’t you come over again and we try to work it out?”. That gave him the resolve to start pushing once more.

His 1982 record captures all of the above, and it shows that sometimes there is not a difference between being shattered, being broken and being fragmented. The only valid difference lies in being there or not being there at all.

“All The Best Cowboys…” is experimental in every sense. The first track has Pete reciting instead of singing. “Stop Hurting People” is actually an open letter for reconciliation he had written to Karen. The song, dealing with a love that died and had to be born again was the one way to start the record. “People, stop hurting people”, he pleads. And we all can picture him looking into the eyes of his wife as he does so, his gaunt reflection in her eyes, the words “without your love there is no flame” hammering and hammering until they are unleashed into song. Continue reading →

Oasis: Revealed (Lee Henshaw) – Book Review

Posted on by
Oasis Revealed Lee Henshaw

"Oasis: Revealed" Came Out In 1996. Written By Lee Henshaw And Published By Parragon, It Covered Their Crowning Achievements As A Band.

This was the first book in English that I ever bought. That was fitting enough, as the first album I ever purchased was “(What’s The Story) Morning Glory?”. And the second one? “Be Here Now”. I had quite a story with the Gallagher boys and their gang when I was a teenager. I eventually disowned them, but good albums are good albums and deserve their share of praise. And as always, if you get to know the story behind the words and the music then the ties can become more endurable.

This book certainly made me feel an increased love for the band, even when it was (and will always be) a modest effort. It is not that revealing, to be brutally frank. It covers the story up until the band rocked Maine Road. That means it reaches up to 1996. Only “Definitely Maybe” and “Morning Glory” are covered as a result. You get a good glimpse on the band’s formative days, and all the obvious events and incidents (the fight on the ferry during their first European tour that resulted in the “Wibbling Rivalry” CD, the run-in with Blur, Knebworth…) are covered.

The obvious comparison is Paolo Hewitt’s “Getting High – The Adventures Of Oasis”. It covers the same period, but it is the “official” account. It is a far lengthier book, and you even learn about mother Peggy Gallagher and how she met Thomas, not to mention having a minute overview of the boys’ teenage years. In terms of content, it wins hand down. Continue reading →