Tag Archives: These Are Days

The Most Moving Performances In Music (Part 1)

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This is the first part of something that I hope to build along with your collaboration. The title speaks for itself, really – I’ll try and collect together these moments in which music becomes a true epiphany.

I have begun by picking my five favorite moments. I have made an effort to include some performances by artists I am yet to add to the blog like Pink Floyd (just give me time), and artists I am to cover more extensively like Queen.

Please, add your suggestions by leaving a comment. The idea is to let everybody discover these performances he might not hear about otherwise, and which are too amazing to be missed. I’m counting on you!

So, without further ado:

1- Glen Hansard & Marketa Irglova Perform “Falling Slowly” At The 80th Academy Awards.

Glen Hansard & Marketa Irglova Performing "Falling Slowly" Live At The 80th Academy Awards

Glen Hansard & Marketa Irglova Performing "Falling Slowly" Live At The 80th Academy Awards

The stars of “Once” play the movie’s signature tune at the 80th Academy Awards. You can watch the performance here.

2- Pink Floyd Performs At The Live 8

The whole band reunited for the first time in 24 years for the Live 8 festival, and they proved that they still had it. “Comfortably Numb” was the final song they played that night. The performance started gathering momentum when Mason threw his headphones away (around the 2:00 mark)… The song ended up being even more mesmerizing than ever.

3- Music Video: Queen’s “These Are The Days” Continue reading →

Our Time In Eden (10,000 Maniacs) – Album Review

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Their Final Studio Album With Natalie Merchant

Their Final Studio Album With Natalie Merchant

Do you remember what Elton John sang at the end of the “Captain Fantastic” album, in the song named “Curtains” – “Just like us/you must have had/ a once upon a time”. If you don’t, there is not an album that will bring that to mind better (and worse, I am afraid) than “Our Time In Eden”. The Maniacs’ final studio album with Natalie is one of the most poignant farewells you can listen to.

Broken feelings litter the album. Lost friendships abound: “Noah’s Dove” is a final portrayal of lost innocence, and the same applies to “How You’ve Grown” and “Stockton Gala Days”, albeit from different vantage points. The former laments the way we often take innocence for granted in the younger ones, and the latter deals with the shame of hiding innocence lost to someone the singer still deems as pure. Continue reading →