The First Video By Uruguayan Band Gamepad Nes Punk

Gamepad Nes Punk

There’s two ways to make music using a Nintendo-related device.

The first involves using a Gameboy:

And the second, a gamepad:

Cool, innit?

What you have just watched is 1.1, the first promotional video released by Uruguayan band Gamepad Nes Punk. They come from the city of San Carlos (Maldonado), and they have a debut album on the horizon. 1.1 is its first promotional single.

Gamepad Nes Punk are signed to Nadiequiere Discos, and I’ll make sure to cover their album when it’s released.

And just for the record, Mario sucked ass. Big time. And so did Sonic, and that clueless two-tailed thing that used to dash behind him. The best superhero to ever grace a videogame? Superfrog! Or alternatively, Zool!

Back when games were games, Team 17 meant business.

I was an Amiga guy. Sorry, can’t help it.

Manuales Ilustrados del Pequeño Tesla Vol. 2 (Uoh!) – Uruguayan Independent Artist

Astute readers who’re well-acquainted with “The Hitchhikers Guide To The Galaxy” surely remember these immortal lines, spoken by Marvin the Paranoid Android at the climax of the second series:

“Any work that references David Bowie in any way or the other partakes of his genius”.

Everybody knows that. Hugh Jackman certainly did when he signed up for “The Prestige”. He once claimed he became involved with the movie just to be close to Ziggy Stardust. My only question is why did he have to ruin Wolverine afterwards with his towering height (he gives Chewbacca a run for his money, he does) and his wooden face (he gives Orlando Bloom a run for his money, he does). On “The Prestige”, he had Christian Bale and Scarlet Johanson to cover up for his gross deficiencies. But on “Wolverine”, he had to carry all the weight by himself. Bleurgh.

Hugh Jackman. Batman. The Black Widow. Ziggy Stardust. Good.

 

Hugh Jackman. On his own. Not good. This way to the toilet. And don't step on my toes.

And the boys from Uoh! also knew as much. Their latest album is named “Manuales Ilustrados del Pequeño Tesla Vol2. Hagalo Usted Mismo” [Little Tesla’s Illustrated Handbook, Vol. 2. Do It Yourself], in a nod to the brilliant inventor that Bowie brought back from oblivion in “The Prestige”. Poor fella, if only 10% percent of what you can read online is true then everybody and his wife ripped him off. Either that, or the one who wrote the Wikipedia post about Tesla is one of his direct descendants, and he’s had to lead such a destitute life that he’s tattooed a “V” for vendetta on his forehead.

On to this record, now. Personally, I find reviewing it quite a departure for one simple reason. See, “Manuales Ilustrados del Pequeño Tesla Vol2. Hagalo Usted Mismo” is a 100% instrumental album. So, I can’t bob my hair like a character out from “Amélie” and start dissecting its lyrical connotations. There are none. I have to focus on the aural experience.
Fuck you, Hugh Jackman.

And a la Traveling Wilburys, this is the second part of an album that didn’t exist. Whatever you do, don’t go looking for Vol. 1. Look for happiness, look for love, look for a mountain of serenity. Look for whatever you want, but don’t look for the first installment of this record. It’s nowhere to be found. (There is, however, another EP by Uoh! that was released in 2011.) Continue reading

“White Flag”, The New Video By Micky Cohen

Micky Cohen

Micky Cohen is a young Uruguayan artist that’s produced by Miguel Campal, and this is the video for her newest single, “White Flag”. The song is included on Micky’s latest EP, and you can listen to her full discography on her MySpace profile.

You’d might also be interested in checking her Facebook fanpage.

Micky Cohen's Newest EP, "White Flag"

Struggle (Gino Tunessi) – Uruguayan Independent Artist

"Struggle" by Gino Tunessi

 

You don’t need to.

You don’t need to listen to Josh Ritter singing with his eyes dancing on a horizon of fire and brimstone “inside this gilded cage a songbird always looks so plain” to have an idea of the entrapments an artist has to avoid as he goes his way. You don’t need to walk on the bare hum of a stage night after night to understand how anxiety can first paralyze a performer, and then bring out the best on him. And you don’t need to be a creator to understand that the most compelling works come from the greatest struggles – struggles that pitch a person both against himself, and against the very plateaus he is set to conquer. You don’t need to sample one such struggle in the flesh to know how that feels, and the eventual statures it can let you reach. You don’t need to.

But that doesn’t mean you shouldn’t.

And if you’re going to do it, then this album by Uruguayan artist Gino Tunessi is ideal. Not perfect. Ideal. Because it’s pure zeitgeist. It isn’t named like it’s named for nothing. Through a very personal story, it ends up speaking of the difficulties performers aiming to break through to larger audiences have to face nowadays. Its every note rings with the contradictions that arise from having something like the Internet to make your work publicly available, and the feeling which comes from failing to get the support needed to promote your music right on your homeland. And that’s a common story for people all over the world, of course. It happens in Uruguay, and it happens everywhere there are artists that have something to communicate.

Recorded in 2009 and issued in 2010, “Struggle” was written in its entirety by Gino and produced by Álvaro Sánchez. Gino also co-produced the album, and all instruments were played by him and Álvaro.

Gino Tunessi

On the whole, the sound of “Struggle” is gentle but it doesn’t lack bite. Acoustic instruments take center stage, and polite nods to artists such as Beck abound, with sound effects that end up playing a truly melodic role. Continue reading

Year In Review 2012: Uruguayan Artists & Videos

Below you’ll find all the independent and unsigned artists that were profiled on MusicKO in 2012.

Vincent Vega

The Bear Season

La Medio Siglo

The Blueberries

Miguel Campal

Picnic

Laura Chinelli

Erika Chuwoki

Matías Cantante

Los Pazientes

El Umbral

 

The following videos were also featured on the blog:

“Llevame” by Laura Chinelli

“Normal” by La Medio Siglo

“This Is Not A Test” by The Bear Season

“El Piso Se Va A Manchar” by Vincent Vega

“POU” by Closet

“Please Don’t Be Like Me” by Casablancas

“Decidir” by Andrea Deleón Santos

“Gigantes” by Orgánica

I also interviewed Pablo Faragó, and covered the release of his first solo album here.

Well, this is the last post of 2012. I want to wish you all a happy New Year, and thank you for your support. Keeping this blog alive takes me a huge amount of time, but it’s always something I do with a lot of conviction, a lot of determination and (most of all) a lot of illusion.

Always will.

Emilio

Free & Legal Music From Ibero-America At CancioneroAzul.org

Cancionero Azul [Blue Songbook] is a website that gives you free and 100% legal music downloads from all over Ibero-America. And that includes Uruguay. Artists that I hope to review in 2012 such as Ismael Collazo and Martin Barea Matos have all made their albums publicly available on CancioneroAzul.org. You can download Ismael’s “Rincones” [Corners] and Martín’s “Odisea En El Parking Planetario” [Odyssey In The Planetary Parking] at absolutely no cost on this well-designed site.

For its part, those of you who want to have your own music featured on CancioneroAzul.org should read this page.

As one of the few sites with this scope and depth, Cancionero Azul comes highly recommended. It’s not every day that you get to sample music from Spanish-speaking countries this accurately and legally.

“Llévame” By Laura Chinelli (Video)

The Music Video For Laura Chinelli's "Llévame" Was Shot In Casa Blanca (Paysandú)

The best song from Laura Chinelli’s “Historias De Invierno” has now got its own music video. Shot in Paysandú, the clip for “Llévame” has Laura trying to hitch a ride on a road, only to end up succeeding in the most unexpected of ways…

The video has been directed by Salomón Reyes for Saladero 19.

“Normal” By La Medio Siglo (Video)

La Medio Siglo

La Medio Siglo’s first music video.
The song is “Normal”.
From their debut EP, “Altos Con Rulos” [Tall And Curly]
It’s a wry look on consumerism and transcendentalism.
It comes with audience participation at the end.
It’s on its way to dethroning Michel Telo’s “Ai Se Eu Te Pego” on the charts.
And you watched it here first.

Month In Review – November 2011

Morrissey used to sing that one November spawned a monster, but as far as I’m concerned this November has been pretty terrific. Two major international artists landed on Uruguay for the first time right there and then: Beady Eye and Sonic Youth. Beady Eye headlined the first night of the brand-new festival “Primavera 0”, whereas Sonic Youth were the main attraction on on the following datel. I was fortunate to be there. This is what I had to say about Beady Eye’s show, and this is how I felt about Sonic Youth’s set.

Uruguayan artists featured over the course of the month included Vincent Vega and The Bear Season. I reviewed Vincent Vega’s eponymous debut and their newest single, whereas I featured The Bear Season’s latest video (“This Is Not A Test”).

For its part, the sites for musicians and music lovers that were reviewed on MusicKO on November were PlaylistHQ, Veenue, Myxer and PumpYouUp. And I also got the chance to talk to Veenue’s Dario Zampetti, and ask him all these things you’ve always wanted to ask him yourself, but never did.

“This Is Not A Test” By The Bear Season (Video)

"This Is Not A Test" Is The Bear Season's Latest Single

Yet another music video from a young Uruguayan act, and yet another excellent one. You can tell it’s almost Christmas, can’t you?

The band is The Bear Season (featured recently on MusicKO), and the song is “This Is Not A Test”. It’s the A-side of the band’s latest single, an all-acoustic affair that you can get for free here. And I really, really like it. Musically, it’s an exciting change of tack. I’ve always carried a torch for the softer side of the band, ever since I heard this unplugged version of “Infinity” (from their debut EP, “Do It”):

“Infinity” was (and still is) my favorite track from their debut EP, and (when unplugged) the song’s just dazzling.

And the same can be said about this new cut. Moving, heartfelt, poignant… “This Is Not A Test” is all of that. It’s the kind of song to play in order to get laid on a first date. Make sure to keep a copy at home, and another at the car. Like Macca used to sing, “no more lonely nights”…