The Kids Are Alright (The Who) – Original Soundtrack Album

A Double Album, "The Kids Are Alright" Collected The Best Music On One Of The Rock & Roll Movies Ever

A Double Album, "The Kids Are Alright" Was The Companion Piece To One Of The Most Memorable Rock & Roll Biopics Ever

The soundtrack to Jeff Stein’s highly-adored biopic is a double album made up of live highlights. Of course, the terms “live” and “highlight” are the bywords when we are talking about The Who with Keith Moon sitting behind the kit.

The version of “A Quick One” at the Rolling Stones’ Rock & Roll Circus leads the charge. The Who stole the show that day, to the point that the Stones (aware that they had been outplayed) later tried to sell the movie to The Who so that they could release it as their Rock & Roll Circus. Personally, I like the version which is included on the “Live At Leeds” album even better. But in any case, both cuts showcase what a demolishing live band The Who was during the “Tommy” period.

That is also underlined by the three songs from Woodstock which are included – all three are “Tommy” numbers (“Pinball Wizard”, “Sparks” and “See Me, Feel Me”) and they are all terrific. They can also be found on the original “Woodstock” soundtrack. The version of “Sparks”, incidentally, is also featured on “Almost Famous” – it is the song that makes the main character realize his destiny of becoming a music journalist.

Likewise, the album includes the cataclysmic performance from “The Smothers Brothers Comedy Hour” that earned Moon the moniker of “British Patent Exploding Number”. It is not really a “live” number (they are playing over a track which was prerecorded), but it has the full dialogue introduction in which the guys drive Tommy Smothers crazy.

And three songs are featured from two concerts which were specifically scheduled for the film. The first took place at Kilburn and it was a major disaster. The one track from that concert which found its way here proves it, as the band struggles through “My Wife”, arguably John Entwistle’s best stage number alongside “Heaven & Hell” and one that they seldom got wrong. For years, fans have joked that the live version of “My Wife” recorded at that gig was only included on “The Kids Are Alright” as a way to show that the band could have days off, just like everybody else. Continue reading

Who’s Next (The Who) – Album Review (Part 2)

Remember to check out Part 1 in order to learn about the context in which Who’s Next was born.

Doing a quick recap, Pete’s “Lifehouse” project had failed to materialize and it had exhausted the band while driving him to a nervous breakdown. The Who decided to salvage what they could and had Glyn Johns assemble a single disc with the best of the new material.

Glyn Johns did something more than assembling the disc that we know as “Who’s Next”. He actually produced it, and his expertise was specially noticeable when we compare this record with any of the albums that Lambert had mastered. It comes as no surprise that Lambert never produced a Who album again. His lack of technical skill, his lax bookkeeping, his growing disconnection with the band… he (and partner Chris Stamp) would be out of the picture within a year. And a lengthy litigation would ensue. Continue reading

Who’s Next (The Who) – Album Review (Part 1)

A Symbol Of Alienation Meets Rock & Roll

A Symbol Of Alienation Meets Rock & Roll

Pete Townshend was always one to push boundaries. After conceiving the first rock opera in history, it was only natural that he would continue leading The Who into uncharted territories. But this time there would be trouble ahead, for the first time in his artistic career.

As everybody and his wife knows, the album we know as “Who’s Next” is nothing but the salvage job of a project of Pete named “Lifehouse”, a project that would finally be realized in the year 2000 with Pete’s solo release of the “Lifehouse Chronicles” boxed set, and that was to resurface in several guises all through the years before that. Continue reading