If you live in Uruguay, there are albums that are impossible to get your hands on. And I am not talking about obscure artists – it is even difficult to find the regular studio albums that artists of the caliber of The Who or Stevie Wonder released. That speaks for itself, and it does so in a voice I’d rather not hear.
What you can find, however, are compilation albums for artists whose individual records can not be purchased no matter how good or relevant they are. Continue reading
A Recent Picture Of Mr. Thompson
I normally save General Introduction pages for artists that I know very well and that I feel confident talking about, either because I have their whole discography or a very representative number of albums, but this is an exception. I know virtually no other artist that captivates me the way Richard Thompson does, and if I have just a comparatively small number of his albums (two compilations, his three most recent solo discs and Fairport Convention’s “Unhalfbricking”) is because these records are impossible to find here in Uruguay. Continue reading
The Cover Showcases Morrissey's Obsession With Pop Culture
The Smiths’ debut is often regarded as an album that could have been much better, yet was marred by a production that did the songs no justice. You realize this is true the second “Reel Around The Fountain” starts playing, but it also dawns on you that some selections were not that strong to begin with either, and that no amount of production wizardry could have elevated them. The most obvious case is “Miserable Lie”, a song which actually worked quite well live. There are also a couple of tracks such as “You’ve Got Everything Now” and “I Don’t Owe You Anything” that are pure vitriol – Morrissey is yet to find how to articulate certain feelings and shape them into songs. Continue reading
The Cover Of The CD Reissue
Getting down to reviewing White Music (XTC’s very first album, released in 1978) is not an easy task. It is impossible to wipe from your mind the volume, complexion and quality of the work they were to eventually produce, but even if their whole oeuvre disappeared and this was all that remained, it would be difficult to be over enthusiastic. Continue reading
The Original Cover
The Who’s debut was first released in England in the year 1965. It was released States-side in 1966, boasting a different name (“The Who Sings My Generation”) and with some variations – a song called “Circles” replaced “I’m A Man”, and one of the standout tunes (“The Kids Are Alright”) was unceremoniously abridged.
The Who’s intended debut was going to be a whole disc devoted to R & B covers, but when one of the main musical papers of the day said such an approach would be unoriginal the project was shelved and this album of Townshend-penned compositions eventually materialized. Continue reading
The Jam Were Characterized By Wearing Black Suits When They First Started. Left To Right: Paul Weller, Rick Buckler & Bruce Foxton.
I have some fantastic memories of the times I was a Jam fan. Their music might just as well be the perfect companion when you are maturing and leaving the world of juvenile irresponsibilities away.
I was introduced to them by John Alroy. That is, many years ago I sent him an e-mail telling him how interesting I found his record’s review website, and asking him which bands could I like since I had completed my Who collection. I also told him I was fond of The Sex Pistols and Oasis. Alroy sent me a very courteous e-mail and told me I would probably like The Jam (he described them as a cross between The Who and The Sex Pistols). He also recommended XTC to me. Hehe. Bingo! Continue reading
A Very Early Picture Of The Smiths
The Smiths were an enormously influential 80’s band that hailed from Manchester, England. The group comprised singer Morrissey, guitar luminary Johnny Marr and a rhythm section of Andy Rourke (bass) and Mike Joyce (drums). The ability of the latter is often overlooked, if only because the band itself was not that democratic – as a matter of fact, Morrissey and Marr received 40 % each of the band’s income while the rhythm men received just 10 % each. The band broke up in 1987 (for the simple reason that Marr and Morrissey could no longer stand each other) and a lawsuit ensued in 1996 over royalties, effectively driving them further apart and wiping out any chance of a reunion (unlikely to begin with). Rourke would eventually settle for less than he was entitled to, but Joyce took it to the bitter end. Continue reading
The Original Line-up
A band which is often regarded as too cerebral for its own good, XTC has no equal. One of the many groups that rose to prominence (at least in critical terms) during the punk heyday, they proved to be much more than mere British punksters from day one. The band was led by Andy Partridge, who wrote about 85 % of the original compositions and assumed lead vocals. The other songwriter was Colin Moulding. He penned the remaining tunes, sang them and played the bass quite admirably (Gilmour offered him the position of Pink Floyd bassist when he won the rights to use the Floyd’s name back in the late eighties, in fact). Continue reading
The Classic Line-up
The Maniacs are not the best band I know. Not by a long stretch. They are, however, the band that moves me the most from my whole collection. As you know, they were an American band that was active in the 80’s, and they were very popular among College audiences. The band comprised Natalie Merchant (vocals), Rob Buck (guitars), Steven Gustafson (bass), Dennis Drew (keyboards) and Jerome Augustyniak (drums).
They eventually scored a big hit with their cover of “Because The Night” in the early 90’s, at which point Natalie Merchant left the band to pursue a solo career of note in her home soil. Continue reading
The Shepherd's Bush Boys As We Know And Love Them
Dave Marsh defines The Who as “a band with four leaders”. That is very accurate. And it is even more accurate to define them as “a band with four explosive leaders”. Their lineup was unique. They were constantly at odds. They were constantly together. And they made music which strikes so deep a chord with whomever is listening that he feels as if he has known the guys all his life. Continue reading